African music, power, and being in colonial Zimbabwe / / Mhoze Chikowero.
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| Superior document: | African expressive cultures |
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| VerfasserIn: | |
| Place / Publishing House: | Bloomington ;, Indianapolis : : Indiana University Press,, [2015] 2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Series: | African expressive cultures.
Ethnomusicology multimedia. |
| Online Access: | |
| Physical Description: | 1 online resource (364 pages) :; illustrations. |
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Table of Contents:
- Introduction: cross-cultural encounters: song, power, and being
- Missionary witchcrafting African being: cultural disarmament
- Purging the "heathen" song, mis/grafting the missionary hymn
- "Too many don'ts": reinforcing, disrupting the criminalization of African musical cultures
- Architectures of control: African urban re/creation
- The "tribal dance" as a colonial alibi: ethnomusicology and the tribalization of African being
- Chimanjemanje: performing and contesting colonial modernity
- The many moods of "Skokiaan": criminalized leisure, underclass defiance, and self-narration
- Usable pasts: crafting Madzimbabwe through memory, tradition, song
- Cultures of resistance: genealogies of Chimurenga song
- Jane Lungile Ngwenya: a transgenerational conversation
- Epilogue: postcolonial legacies: song, power, and knowledge production.