Blossoms and blood : : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb.
Saved in:
| : | |
|---|---|
| Place / Publishing House: | Austin : : University of Texas Press,, [2013] 2013 |
| Year of Publication: | 2013 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (297 pages) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| LEADER | 02483nam a22004091i 4500 | ||
|---|---|---|---|
| 001 | 5003443698 | ||
| 003 | MiAaPQ | ||
| 005 | 20200520144314.0 | ||
| 006 | m o d | | ||
| 007 | cr cnu|||||||| | ||
| 008 | 130416t20132013txu ob 001 0 eng d | ||
| 020 | |z 9780292752894 (hardback) | ||
| 020 | |a 9780292752917 |q (electronic bk.) | ||
| 035 | |a (MiAaPQ)5003443698 | ||
| 035 | |a (Au-PeEL)EBL3443698 | ||
| 035 | |a (CaPaEBR)ebr10768931 | ||
| 035 | |a (OCoLC)899045092 | ||
| 040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
| 050 | 4 | |a PN1998.3.A5255 |b S64 2013 | |
| 082 | 0 | |a 791.4302/33092 |2 23 | |
| 100 | 1 | |a Sperb, Jason, |d 1978- | |
| 245 | 1 | 0 | |a Blossoms and blood : |b postmodern media culture and the films of Paul Thomas Anderson / |c Jason Sperb. |
| 264 | 1 | |a Austin : |b University of Texas Press, |c [2013] | |
| 264 | 4 | |c 2013 | |
| 300 | |a 1 online resource (297 pages) | ||
| 336 | |a text |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 8 | |a Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. | |
| 588 | |a Description based on online resource; title from PDF title page (ebrary, viewed October 11, 2013). | ||
| 590 | |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. | ||
| 600 | 1 | 0 | |a Anderson, Paul Thomas |x Criticism and interpretation. |
| 650 | 0 | |a Motion picture producers and directors. | |
| 655 | 4 | |a Electronic books. | |
| 797 | 2 | |a ProQuest (Firm) | |
| 856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443698 |z Click to View |