Paul Robeson and the Cold War performance complex : race, madness, activism / / Tony Perucci.
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| Superior document: | Theater--theory/text/performance |
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| TeilnehmendeR: | |
| Year of Publication: | 2012 |
| Language: | English |
| Series: | Theater--theory/text/performance.
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| Online Access: | |
| Physical Description: | xii, 217 p. :; ill. |
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Table of Contents:
- Introduction: the red mask of sanity
- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft
- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance
- Discordant tones and the melody of freedom at Peekskill
- Anticommunism and the American lynching imagination
- Shedding blood and beating back fascists
- Staging anticommunism, staging racist violence
- Coda: the complex and the rupture.