Blackness in opera

Blackness in opera / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor.

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TeilnehmendeR:
Andre, Naomi Adele.
Bryan, Karen M. 1954-
Saylor, Eric.
ProQuest (Firm)
Year of Publication:2013
Language:English
Online Access:
Physical Description:xii, 289 p. :; ill., music, ports.
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ctrlnum (MiAaPQ)5003414176
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(CaPaEBR)ebr10639731
(CaONFJC)MIL421419
(OCoLC)923496655
collection bib_alma
record_format marc
spelling Blackness in opera [electronic resource] / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor.
Urbana : University of Illinois Press, 2013.
xii, 289 p. : ill., music, ports.
Includes bibliographical references and index.
Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi Andre -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Blacks in opera.
Opera.
Electronic books.
Andre, Naomi Adele.
Bryan, Karen M. (Karen McGaha), 1954-
Saylor, Eric.
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3414176 Click to View
language English
format Electronic
eBook
author2 Andre, Naomi Adele.
Bryan, Karen M. 1954-
Saylor, Eric.
ProQuest (Firm)
author_facet Andre, Naomi Adele.
Bryan, Karen M. 1954-
Saylor, Eric.
ProQuest (Firm)
ProQuest (Firm)
author2_variant n a a na naa
k m b km kmb
e s es
author2_fuller (Karen McGaha),
author2_role TeilnehmendeR
TeilnehmendeR
TeilnehmendeR
TeilnehmendeR
author_corporate ProQuest (Firm)
author_sort Andre, Naomi Adele.
title Blackness in opera
spellingShingle Blackness in opera
Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi Andre -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley.
title_full Blackness in opera [electronic resource] / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor.
title_fullStr Blackness in opera [electronic resource] / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor.
title_full_unstemmed Blackness in opera [electronic resource] / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor.
title_auth Blackness in opera
title_new Blackness in opera
title_sort blackness in opera
publisher University of Illinois Press,
publishDate 2013
physical xii, 289 p. : ill., music, ports.
contents Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi Andre -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley.
isbn 9780252093890 (electronic bk.)
callnumber-first M - Music
callnumber-subject ML - Literature on Music
callnumber-label ML1700
callnumber-sort ML 41700 B53 42013
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3414176
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 782 - Vocal music
dewey-full 782.1089/96
dewey-sort 3782.1089 296
dewey-raw 782.1089/96
dewey-search 782.1089/96
oclc_num 923496655
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