Postmodernism, traditional cultural forms, and African American narratives /

Postmodernism, traditional cultural forms, and African American narratives / / W. Lawrence Hogue.

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Hogue, W. Lawrence, 1951-
Place / Publishing House:Albany : : State University of New York Press,, [2013]
2013
Year of Publication:2013
Language:English
Online Access:
Physical Description:1 online resource (341 pages)
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id 5003408798
ctrlnum (MiAaPQ)5003408798
(Au-PeEL)EBL3408798
(CaPaEBR)ebr10803206
(OCoLC)864139177
collection bib_alma
record_format marc
spelling Hogue, W. Lawrence, 1951-
Postmodernism, traditional cultural forms, and African American narratives / W. Lawrence Hogue.
Albany : State University of New York Press, [2013]
2013
1 online resource (341 pages)
text rdacontent
computer rdamedia
online resource rdacarrier
Includes bibliographical references and index.
Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.
Description based on print version record.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
African Americans Intellectual life.
American literature African American authors History and criticism.
Postmodernism (Literature) United States.
Subjectivity in literature.
Electronic books.
Print version: Hogue, W. Lawrence, 1951- Postmodernism, traditional cultural forms, and African American narratives. Albany : State University of New York Press, [2013] viii, 331 pages 9781438448343 9781438448350 (DLC) 2012045528
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3408798 Click to View
language English
format eBook
author Hogue, W. Lawrence, 1951-
spellingShingle Hogue, W. Lawrence, 1951-
Postmodernism, traditional cultural forms, and African American narratives /
Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.
author_facet Hogue, W. Lawrence, 1951-
author_variant w l h wl wlh
author_sort Hogue, W. Lawrence, 1951-
title Postmodernism, traditional cultural forms, and African American narratives /
title_full Postmodernism, traditional cultural forms, and African American narratives / W. Lawrence Hogue.
title_fullStr Postmodernism, traditional cultural forms, and African American narratives / W. Lawrence Hogue.
title_full_unstemmed Postmodernism, traditional cultural forms, and African American narratives / W. Lawrence Hogue.
title_auth Postmodernism, traditional cultural forms, and African American narratives /
title_new Postmodernism, traditional cultural forms, and African American narratives /
title_sort postmodernism, traditional cultural forms, and african american narratives /
publisher State University of New York Press,
publishDate 2013
physical 1 online resource (341 pages)
contents Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.
isbn 9781438448367
9781438448343
9781438448350
callnumber-first P - Language and Literature
callnumber-subject PS - American Literature
callnumber-label PS153
callnumber-sort PS 3153 N5 H63 42013
genre Electronic books.
genre_facet Electronic books.
geographic_facet United States.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3408798
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 810 - American literature in English
dewey-ones 810 - American literature in English
dewey-full 810.9/9286/08996073
dewey-sort 3810.9 49286 78996073
dewey-raw 810.9/9286/08996073
dewey-search 810.9/9286/08996073
oclc_num 864139177
work_keys_str_mv AT hoguewlawrence postmodernismtraditionalculturalformsandafricanamericannarratives
status_str n
ids_txt_mv (MiAaPQ)5003408798
(Au-PeEL)EBL3408798
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(OCoLC)864139177
is_hierarchy_title Postmodernism, traditional cultural forms, and African American narratives /
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