The Contemporary Construction of the Chinese Form of Marxist Literary Criticism.
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Place / Publishing House: | Singapore : : Palgrave Macmillan,, 2023. ©2023. |
Year of Publication: | 2023 |
Edition: | 1st ed. |
Language: | English |
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Physical Description: | 1 online resource (317 pages) |
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Hu, Yamin. The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. 1st ed. Singapore : Palgrave Macmillan, 2023. ©2023. 1 online resource (317 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Intro -- Acknowledgments -- Contents -- 1 Introduction -- 1 Rationale of the Existence of the Chinese Form -- 1.1 Existence of the Chinese Form? -- 1.2 Chinese Form of Marxist Literary Criticism Versus Sinification of Marxist Literary Criticism -- 2 The Path of Constructing the Chinese Form -- 2.1 Questioning Historical Descriptions and Generalizations -- 2.2 The Chinese Form and the Study of Differences -- The Chinese Form and Classical Marxist Literary Criticism -- The Chinese Form and Western Marxist Literary Criticism -- 3 The "Problématique" and Overall Characteristics of the Chinese Form -- 3.1 "Problématique" -- 3.2 The Overall Characteristics of the Chinese Form -- References -- 2 People: The Starting Point and the Destination of Literary Criticism -- 1 Classical Marxist View on People -- 1.1 Marx and Engels on the People -- Marx and Engels' Connotation of the People -- The Scale of the People in Marx and Engels' Literary Criticism -- 1.2 Lenin on the People -- Lenin's Connotation of the People -- Lenin on the Relationship Between Literature and the People -- 2 The Chinese Form's View on People -- 2.1 The Connotations of People -- The People as the Aggregation of Classes -- The People Are the Creators of History -- Adherence to the Centrality of the People -- 2.2 "People First" in Literary Criticism -- The Principle of "Literature and Art for the People" -- Adherence to the Direction of People-Centered Creation -- The People as Recipients of Literature and Art -- 3 The Improvement and Expansion of the Concept of People -- 3.1 A Reflection on the Relationship Between Literature and People -- Looking Down Upon the People as a Result of a Messianic Mentality -- Commodity Fetishism and People Cult -- 3.2 The Complexity of the Concept of People -- The Concreteness of the Concept of People -- The Non-homogeneity of the People. 3.3 The Interaction and Mutual Shaping of Literature and People -- "The People Need Art, and Art Needs the People Even More" -- Literature and "People to Come" -- References -- 3 Nation: A New Dimension of Literary Criticism in the Context of Globalization -- 1 The Discrimination of the Concept of Nation -- 1.1 Nation and Its Related Concepts -- The Concept of Nation -- Nation Versus Race and Ethnicity -- 1.2 Nation and the Chinese Nation 中华民族 -- The Proposal of a "Chinese Nation" -- The One and the Many of the Chinese Nation -- 2 Marx and Engels on Nation -- 2.1 Nation and Class -- Class Issues Dominate National Issues -- Complex Relationship Between Nation and Class -- 2.2 Nation and Internationalism -- Criticism of National Chauvinism -- Arguments on Colonization -- The Relationship Between Nations and Internationalism -- 3 National View in the Chinese Form -- 3.1 The Restoration of the Reputation of the Concept of Nation -- The Nation Is Not About Self-Seclusion -- The Nation Is Not About Going Back to the Good Old Days -- The Nation Does Not Imply the Collective's Suppression of Its Individual Members -- 3.2 New Interpretations of National View -- Nation Is a Historical Concept -- Nation and Culture -- Nation and the People -- 4 The Nature and Characteristics of the National Dimension -- 4.1 The Research Standpoint of the National Dimension -- Open Nationalism -- The Fundamental Connotation of Open Nationalism -- 4.2 The National Dimension and the National Spirit of Literature -- National Dimension and National Identity in Literature -- National Dimension and the National Characteristics of Literature -- National Dimension and the World -- References -- 4 The Political Dimension of Literary Criticism -- 1 Marx and Engels on Politics and Literature -- 1.1 Classical Marxist View on Politics -- Politics as a Component of the Superstructure. Politics as Class Struggle -- Politics as Human Emancipation -- 1.2 Marx and Engels' Political Criticism -- Raising Doubts About the "Eternity" of the Bourgeoisie -- "The Courage of the True Artist" -- "Sings…of the Proud, Threatening, and Revolutionary Proletarian" -- "The Tendency Should Spring from the Situation and Action as Such" -- 2 Literature and Politics in the Chinese Form -- 2.1 Mao Zedong's View on Art and Politics -- Mao on Politics -- Mao on the Unity of Literature and Politics -- "Literature and Art for Politics" -- 2.2 Literature and Politics in the New Period -- Correction and Adherence to Politics -- The Proposal of "Literature and Art for the People and Socialism" -- 3 The Evolution of the Relationship Between Literature and Politics -- 3.1 Literature and "Re-politicization" -- Historical Overview of the Relationship Between Literature and Politics -- Politicization (Over-Politicization), Depoliticization to Repoliticization -- 3.2 The Contemporary Transformation of the Forms of Politics -- From Class Politics to People's Politics -- From Macro-politics to Micro-politics -- From Explicit Politics to Implicit Politics -- 3.3 The Tension Between Aesthetics and Politics -- Aesthetics as Politics -- Aesthetic Antinomy -- 4 A Perspective on the Political Dimension -- 4.1 The Research Objects of the Political Dimension -- Ideological Nature of Literature -- Scope of the Political Dimension -- 4.2 The Political Analysis of Literary Texts -- Politics in Narrative -- Desire and Politics -- References -- 5 The Praxis Dimension of Literary Criticism -- 1 Marx on Praxis -- 1.1 Marx's Concept of Praxis and Western Traditions -- Aristotle's View of Practice -- Kant on Practical Reason -- Sublation of Hegel and Feuerbach in Marx's Concept of Practice -- 1.2 The Connotations of Marx's View on Praxis -- Practice as an "Objective Activity". Practice as Material Production and Alienation -- 2 The Chinese Form's View on Praxis -- 2.1 The Nature of Praxis -- Material and Spiritual Activities of Human Beings -- The Initiative of the Subject -- Primacy of Practice -- 2.2 The View on Literature from the Dimension of Praxis -- Literature Arises from the Relationship of Objectification -- Critical Theories Under a Literary View of Practice Theory -- 3 The Dimension of Praxis and Literary Activities -- 3.1 Literary Criticism in the Process of Objectification -- The Dimension of Practice and the Subject of Literary Activity -- Practical Dimension and the Text as a Spiritual Product -- The Dimension of Practice and Ideal Way of Being -- 3.2 An Inquiry into Praxis -- Consciousness and Unconsciousness in Practical Activities -- Finiteness and Infinity of Practice -- References -- 6 Marxist Literary Criticism in the Hi-Tech Era -- 1 Marxist Literary Criticism and Science and Technology -- 1.1 Marx and Engels on Science and Technology -- Science and Technology and Society -- The Capitalist System and the Alienation of Science and Technology -- The Paradox of Science and Technology -- 1.2 Marx and Engels on the Relationship Between Science and Art -- The Influence of Science and Technology on Literature and Art -- Non-Synchronicity Between Science and Technology and Literature -- The Permanent Charm of Art -- 1.3 Western Marxism's View on Technology and Literature -- Technology and Alienation -- Ideological Nature of Science and Technology -- 2 Theoretical Reconstruction in the Hi-Tech Era -- 2.1 View of Science and Technology in the Chinese Form -- Science and Technology and the Dream of a Strong Nation -- Science and Technology as the First Productive Force -- Ideological Construction Function of Science and Technology -- 2.2 Modern Science and Technology and the "Survival" of Literature. The Challenge of Digital Technology to Literature -- Symbiotic Relationship of Literature and Science and Technology -- 2.3 The Inner Connection and Mutual Shaping of Literature and Technology -- The Inner Connection Between Literature and Science and Technology -- The Aestheticization of Technology and Technicization of Literature and Art -- 3 Literature Writing in the Hi-Tech Era -- 3.1 The Revolutionary Impacts of High Technology on Literature Writing -- Refreshing the Understanding of the World -- Creating Novel Aesthetic Experiences -- Stimulating Novel Literary Imagination -- Innovative Literary Styles and Structures -- 3.2 The "Thought" and "Poetry" of Literature Writing in the Hi-Tech Era -- Literature's Warning Against Science and Technology -- Poetic Dwelling in an Age of High Technology -- 4 The Study of Reading in the Internet Age -- 4.1 The Characteristics of Internet Reading -- Convenience of Reading -- Multidimensionality of Perception -- Immediacy and Interactivity of Criticism -- 4.2 The Symptoms of Internet Reading -- Labyrinth of Fragmentation -- Reading and Forgetting -- Weakening of Deep Thinking -- 4.3 The Reading Strategies of the Chinese Form -- Emphasis on Reader Autonomy -- The Call for Excellent Texts -- References -- 7 Literature and Capital in a Market Economy -- 1 Marx's View on Capital -- 1.1 Marx's Concept of Capital -- Capital and Money -- Attributes of Capital -- Capital and Its Internal Contradictions -- 1.2 Marx's View on Literature and Art and Capital -- Capital Provides the Material Basis and Conditions for the Progress of Literature and Art -- The Hostility Between Capital and Literature and Art -- The Aesthetic Character of Artistic Production in the Capitalist Mode of Production -- 2 Capital and Contemporary Literary Activities -- 2.1 The Expansion of the Concept of Capital. Marx's Theory of Capital Is Not Obsolete. Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Electronic books. Yan, Fang. Cheng, Xin. Print version: Hu, Yamin The Contemporary Construction of the Chinese Form of Marxist Literary Criticism Singapore : Palgrave Macmillan,c2023 9789819929467 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=30676975 Click to View |
language |
English |
format |
eBook |
author |
Hu, Yamin. |
spellingShingle |
Hu, Yamin. The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. Intro -- Acknowledgments -- Contents -- 1 Introduction -- 1 Rationale of the Existence of the Chinese Form -- 1.1 Existence of the Chinese Form? -- 1.2 Chinese Form of Marxist Literary Criticism Versus Sinification of Marxist Literary Criticism -- 2 The Path of Constructing the Chinese Form -- 2.1 Questioning Historical Descriptions and Generalizations -- 2.2 The Chinese Form and the Study of Differences -- The Chinese Form and Classical Marxist Literary Criticism -- The Chinese Form and Western Marxist Literary Criticism -- 3 The "Problématique" and Overall Characteristics of the Chinese Form -- 3.1 "Problématique" -- 3.2 The Overall Characteristics of the Chinese Form -- References -- 2 People: The Starting Point and the Destination of Literary Criticism -- 1 Classical Marxist View on People -- 1.1 Marx and Engels on the People -- Marx and Engels' Connotation of the People -- The Scale of the People in Marx and Engels' Literary Criticism -- 1.2 Lenin on the People -- Lenin's Connotation of the People -- Lenin on the Relationship Between Literature and the People -- 2 The Chinese Form's View on People -- 2.1 The Connotations of People -- The People as the Aggregation of Classes -- The People Are the Creators of History -- Adherence to the Centrality of the People -- 2.2 "People First" in Literary Criticism -- The Principle of "Literature and Art for the People" -- Adherence to the Direction of People-Centered Creation -- The People as Recipients of Literature and Art -- 3 The Improvement and Expansion of the Concept of People -- 3.1 A Reflection on the Relationship Between Literature and People -- Looking Down Upon the People as a Result of a Messianic Mentality -- Commodity Fetishism and People Cult -- 3.2 The Complexity of the Concept of People -- The Concreteness of the Concept of People -- The Non-homogeneity of the People. 3.3 The Interaction and Mutual Shaping of Literature and People -- "The People Need Art, and Art Needs the People Even More" -- Literature and "People to Come" -- References -- 3 Nation: A New Dimension of Literary Criticism in the Context of Globalization -- 1 The Discrimination of the Concept of Nation -- 1.1 Nation and Its Related Concepts -- The Concept of Nation -- Nation Versus Race and Ethnicity -- 1.2 Nation and the Chinese Nation 中华民族 -- The Proposal of a "Chinese Nation" -- The One and the Many of the Chinese Nation -- 2 Marx and Engels on Nation -- 2.1 Nation and Class -- Class Issues Dominate National Issues -- Complex Relationship Between Nation and Class -- 2.2 Nation and Internationalism -- Criticism of National Chauvinism -- Arguments on Colonization -- The Relationship Between Nations and Internationalism -- 3 National View in the Chinese Form -- 3.1 The Restoration of the Reputation of the Concept of Nation -- The Nation Is Not About Self-Seclusion -- The Nation Is Not About Going Back to the Good Old Days -- The Nation Does Not Imply the Collective's Suppression of Its Individual Members -- 3.2 New Interpretations of National View -- Nation Is a Historical Concept -- Nation and Culture -- Nation and the People -- 4 The Nature and Characteristics of the National Dimension -- 4.1 The Research Standpoint of the National Dimension -- Open Nationalism -- The Fundamental Connotation of Open Nationalism -- 4.2 The National Dimension and the National Spirit of Literature -- National Dimension and National Identity in Literature -- National Dimension and the National Characteristics of Literature -- National Dimension and the World -- References -- 4 The Political Dimension of Literary Criticism -- 1 Marx and Engels on Politics and Literature -- 1.1 Classical Marxist View on Politics -- Politics as a Component of the Superstructure. Politics as Class Struggle -- Politics as Human Emancipation -- 1.2 Marx and Engels' Political Criticism -- Raising Doubts About the "Eternity" of the Bourgeoisie -- "The Courage of the True Artist" -- "Sings…of the Proud, Threatening, and Revolutionary Proletarian" -- "The Tendency Should Spring from the Situation and Action as Such" -- 2 Literature and Politics in the Chinese Form -- 2.1 Mao Zedong's View on Art and Politics -- Mao on Politics -- Mao on the Unity of Literature and Politics -- "Literature and Art for Politics" -- 2.2 Literature and Politics in the New Period -- Correction and Adherence to Politics -- The Proposal of "Literature and Art for the People and Socialism" -- 3 The Evolution of the Relationship Between Literature and Politics -- 3.1 Literature and "Re-politicization" -- Historical Overview of the Relationship Between Literature and Politics -- Politicization (Over-Politicization), Depoliticization to Repoliticization -- 3.2 The Contemporary Transformation of the Forms of Politics -- From Class Politics to People's Politics -- From Macro-politics to Micro-politics -- From Explicit Politics to Implicit Politics -- 3.3 The Tension Between Aesthetics and Politics -- Aesthetics as Politics -- Aesthetic Antinomy -- 4 A Perspective on the Political Dimension -- 4.1 The Research Objects of the Political Dimension -- Ideological Nature of Literature -- Scope of the Political Dimension -- 4.2 The Political Analysis of Literary Texts -- Politics in Narrative -- Desire and Politics -- References -- 5 The Praxis Dimension of Literary Criticism -- 1 Marx on Praxis -- 1.1 Marx's Concept of Praxis and Western Traditions -- Aristotle's View of Practice -- Kant on Practical Reason -- Sublation of Hegel and Feuerbach in Marx's Concept of Practice -- 1.2 The Connotations of Marx's View on Praxis -- Practice as an "Objective Activity". Practice as Material Production and Alienation -- 2 The Chinese Form's View on Praxis -- 2.1 The Nature of Praxis -- Material and Spiritual Activities of Human Beings -- The Initiative of the Subject -- Primacy of Practice -- 2.2 The View on Literature from the Dimension of Praxis -- Literature Arises from the Relationship of Objectification -- Critical Theories Under a Literary View of Practice Theory -- 3 The Dimension of Praxis and Literary Activities -- 3.1 Literary Criticism in the Process of Objectification -- The Dimension of Practice and the Subject of Literary Activity -- Practical Dimension and the Text as a Spiritual Product -- The Dimension of Practice and Ideal Way of Being -- 3.2 An Inquiry into Praxis -- Consciousness and Unconsciousness in Practical Activities -- Finiteness and Infinity of Practice -- References -- 6 Marxist Literary Criticism in the Hi-Tech Era -- 1 Marxist Literary Criticism and Science and Technology -- 1.1 Marx and Engels on Science and Technology -- Science and Technology and Society -- The Capitalist System and the Alienation of Science and Technology -- The Paradox of Science and Technology -- 1.2 Marx and Engels on the Relationship Between Science and Art -- The Influence of Science and Technology on Literature and Art -- Non-Synchronicity Between Science and Technology and Literature -- The Permanent Charm of Art -- 1.3 Western Marxism's View on Technology and Literature -- Technology and Alienation -- Ideological Nature of Science and Technology -- 2 Theoretical Reconstruction in the Hi-Tech Era -- 2.1 View of Science and Technology in the Chinese Form -- Science and Technology and the Dream of a Strong Nation -- Science and Technology as the First Productive Force -- Ideological Construction Function of Science and Technology -- 2.2 Modern Science and Technology and the "Survival" of Literature. The Challenge of Digital Technology to Literature -- Symbiotic Relationship of Literature and Science and Technology -- 2.3 The Inner Connection and Mutual Shaping of Literature and Technology -- The Inner Connection Between Literature and Science and Technology -- The Aestheticization of Technology and Technicization of Literature and Art -- 3 Literature Writing in the Hi-Tech Era -- 3.1 The Revolutionary Impacts of High Technology on Literature Writing -- Refreshing the Understanding of the World -- Creating Novel Aesthetic Experiences -- Stimulating Novel Literary Imagination -- Innovative Literary Styles and Structures -- 3.2 The "Thought" and "Poetry" of Literature Writing in the Hi-Tech Era -- Literature's Warning Against Science and Technology -- Poetic Dwelling in an Age of High Technology -- 4 The Study of Reading in the Internet Age -- 4.1 The Characteristics of Internet Reading -- Convenience of Reading -- Multidimensionality of Perception -- Immediacy and Interactivity of Criticism -- 4.2 The Symptoms of Internet Reading -- Labyrinth of Fragmentation -- Reading and Forgetting -- Weakening of Deep Thinking -- 4.3 The Reading Strategies of the Chinese Form -- Emphasis on Reader Autonomy -- The Call for Excellent Texts -- References -- 7 Literature and Capital in a Market Economy -- 1 Marx's View on Capital -- 1.1 Marx's Concept of Capital -- Capital and Money -- Attributes of Capital -- Capital and Its Internal Contradictions -- 1.2 Marx's View on Literature and Art and Capital -- Capital Provides the Material Basis and Conditions for the Progress of Literature and Art -- The Hostility Between Capital and Literature and Art -- The Aesthetic Character of Artistic Production in the Capitalist Mode of Production -- 2 Capital and Contemporary Literary Activities -- 2.1 The Expansion of the Concept of Capital. Marx's Theory of Capital Is Not Obsolete. |
author_facet |
Hu, Yamin. Yan, Fang. Cheng, Xin. |
author_variant |
y h yh |
author2 |
Yan, Fang. Cheng, Xin. |
author2_variant |
f y fy x c xc |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Hu, Yamin. |
title |
The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. |
title_full |
The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. |
title_fullStr |
The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. |
title_full_unstemmed |
The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. |
title_auth |
The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. |
title_new |
The Contemporary Construction of the Chinese Form of Marxist Literary Criticism. |
title_sort |
the contemporary construction of the chinese form of marxist literary criticism. |
publisher |
Palgrave Macmillan, |
publishDate |
2023 |
physical |
1 online resource (317 pages) |
edition |
1st ed. |
contents |
Intro -- Acknowledgments -- Contents -- 1 Introduction -- 1 Rationale of the Existence of the Chinese Form -- 1.1 Existence of the Chinese Form? -- 1.2 Chinese Form of Marxist Literary Criticism Versus Sinification of Marxist Literary Criticism -- 2 The Path of Constructing the Chinese Form -- 2.1 Questioning Historical Descriptions and Generalizations -- 2.2 The Chinese Form and the Study of Differences -- The Chinese Form and Classical Marxist Literary Criticism -- The Chinese Form and Western Marxist Literary Criticism -- 3 The "Problématique" and Overall Characteristics of the Chinese Form -- 3.1 "Problématique" -- 3.2 The Overall Characteristics of the Chinese Form -- References -- 2 People: The Starting Point and the Destination of Literary Criticism -- 1 Classical Marxist View on People -- 1.1 Marx and Engels on the People -- Marx and Engels' Connotation of the People -- The Scale of the People in Marx and Engels' Literary Criticism -- 1.2 Lenin on the People -- Lenin's Connotation of the People -- Lenin on the Relationship Between Literature and the People -- 2 The Chinese Form's View on People -- 2.1 The Connotations of People -- The People as the Aggregation of Classes -- The People Are the Creators of History -- Adherence to the Centrality of the People -- 2.2 "People First" in Literary Criticism -- The Principle of "Literature and Art for the People" -- Adherence to the Direction of People-Centered Creation -- The People as Recipients of Literature and Art -- 3 The Improvement and Expansion of the Concept of People -- 3.1 A Reflection on the Relationship Between Literature and People -- Looking Down Upon the People as a Result of a Messianic Mentality -- Commodity Fetishism and People Cult -- 3.2 The Complexity of the Concept of People -- The Concreteness of the Concept of People -- The Non-homogeneity of the People. 3.3 The Interaction and Mutual Shaping of Literature and People -- "The People Need Art, and Art Needs the People Even More" -- Literature and "People to Come" -- References -- 3 Nation: A New Dimension of Literary Criticism in the Context of Globalization -- 1 The Discrimination of the Concept of Nation -- 1.1 Nation and Its Related Concepts -- The Concept of Nation -- Nation Versus Race and Ethnicity -- 1.2 Nation and the Chinese Nation 中华民族 -- The Proposal of a "Chinese Nation" -- The One and the Many of the Chinese Nation -- 2 Marx and Engels on Nation -- 2.1 Nation and Class -- Class Issues Dominate National Issues -- Complex Relationship Between Nation and Class -- 2.2 Nation and Internationalism -- Criticism of National Chauvinism -- Arguments on Colonization -- The Relationship Between Nations and Internationalism -- 3 National View in the Chinese Form -- 3.1 The Restoration of the Reputation of the Concept of Nation -- The Nation Is Not About Self-Seclusion -- The Nation Is Not About Going Back to the Good Old Days -- The Nation Does Not Imply the Collective's Suppression of Its Individual Members -- 3.2 New Interpretations of National View -- Nation Is a Historical Concept -- Nation and Culture -- Nation and the People -- 4 The Nature and Characteristics of the National Dimension -- 4.1 The Research Standpoint of the National Dimension -- Open Nationalism -- The Fundamental Connotation of Open Nationalism -- 4.2 The National Dimension and the National Spirit of Literature -- National Dimension and National Identity in Literature -- National Dimension and the National Characteristics of Literature -- National Dimension and the World -- References -- 4 The Political Dimension of Literary Criticism -- 1 Marx and Engels on Politics and Literature -- 1.1 Classical Marxist View on Politics -- Politics as a Component of the Superstructure. Politics as Class Struggle -- Politics as Human Emancipation -- 1.2 Marx and Engels' Political Criticism -- Raising Doubts About the "Eternity" of the Bourgeoisie -- "The Courage of the True Artist" -- "Sings…of the Proud, Threatening, and Revolutionary Proletarian" -- "The Tendency Should Spring from the Situation and Action as Such" -- 2 Literature and Politics in the Chinese Form -- 2.1 Mao Zedong's View on Art and Politics -- Mao on Politics -- Mao on the Unity of Literature and Politics -- "Literature and Art for Politics" -- 2.2 Literature and Politics in the New Period -- Correction and Adherence to Politics -- The Proposal of "Literature and Art for the People and Socialism" -- 3 The Evolution of the Relationship Between Literature and Politics -- 3.1 Literature and "Re-politicization" -- Historical Overview of the Relationship Between Literature and Politics -- Politicization (Over-Politicization), Depoliticization to Repoliticization -- 3.2 The Contemporary Transformation of the Forms of Politics -- From Class Politics to People's Politics -- From Macro-politics to Micro-politics -- From Explicit Politics to Implicit Politics -- 3.3 The Tension Between Aesthetics and Politics -- Aesthetics as Politics -- Aesthetic Antinomy -- 4 A Perspective on the Political Dimension -- 4.1 The Research Objects of the Political Dimension -- Ideological Nature of Literature -- Scope of the Political Dimension -- 4.2 The Political Analysis of Literary Texts -- Politics in Narrative -- Desire and Politics -- References -- 5 The Praxis Dimension of Literary Criticism -- 1 Marx on Praxis -- 1.1 Marx's Concept of Praxis and Western Traditions -- Aristotle's View of Practice -- Kant on Practical Reason -- Sublation of Hegel and Feuerbach in Marx's Concept of Practice -- 1.2 The Connotations of Marx's View on Praxis -- Practice as an "Objective Activity". Practice as Material Production and Alienation -- 2 The Chinese Form's View on Praxis -- 2.1 The Nature of Praxis -- Material and Spiritual Activities of Human Beings -- The Initiative of the Subject -- Primacy of Practice -- 2.2 The View on Literature from the Dimension of Praxis -- Literature Arises from the Relationship of Objectification -- Critical Theories Under a Literary View of Practice Theory -- 3 The Dimension of Praxis and Literary Activities -- 3.1 Literary Criticism in the Process of Objectification -- The Dimension of Practice and the Subject of Literary Activity -- Practical Dimension and the Text as a Spiritual Product -- The Dimension of Practice and Ideal Way of Being -- 3.2 An Inquiry into Praxis -- Consciousness and Unconsciousness in Practical Activities -- Finiteness and Infinity of Practice -- References -- 6 Marxist Literary Criticism in the Hi-Tech Era -- 1 Marxist Literary Criticism and Science and Technology -- 1.1 Marx and Engels on Science and Technology -- Science and Technology and Society -- The Capitalist System and the Alienation of Science and Technology -- The Paradox of Science and Technology -- 1.2 Marx and Engels on the Relationship Between Science and Art -- The Influence of Science and Technology on Literature and Art -- Non-Synchronicity Between Science and Technology and Literature -- The Permanent Charm of Art -- 1.3 Western Marxism's View on Technology and Literature -- Technology and Alienation -- Ideological Nature of Science and Technology -- 2 Theoretical Reconstruction in the Hi-Tech Era -- 2.1 View of Science and Technology in the Chinese Form -- Science and Technology and the Dream of a Strong Nation -- Science and Technology as the First Productive Force -- Ideological Construction Function of Science and Technology -- 2.2 Modern Science and Technology and the "Survival" of Literature. The Challenge of Digital Technology to Literature -- Symbiotic Relationship of Literature and Science and Technology -- 2.3 The Inner Connection and Mutual Shaping of Literature and Technology -- The Inner Connection Between Literature and Science and Technology -- The Aestheticization of Technology and Technicization of Literature and Art -- 3 Literature Writing in the Hi-Tech Era -- 3.1 The Revolutionary Impacts of High Technology on Literature Writing -- Refreshing the Understanding of the World -- Creating Novel Aesthetic Experiences -- Stimulating Novel Literary Imagination -- Innovative Literary Styles and Structures -- 3.2 The "Thought" and "Poetry" of Literature Writing in the Hi-Tech Era -- Literature's Warning Against Science and Technology -- Poetic Dwelling in an Age of High Technology -- 4 The Study of Reading in the Internet Age -- 4.1 The Characteristics of Internet Reading -- Convenience of Reading -- Multidimensionality of Perception -- Immediacy and Interactivity of Criticism -- 4.2 The Symptoms of Internet Reading -- Labyrinth of Fragmentation -- Reading and Forgetting -- Weakening of Deep Thinking -- 4.3 The Reading Strategies of the Chinese Form -- Emphasis on Reader Autonomy -- The Call for Excellent Texts -- References -- 7 Literature and Capital in a Market Economy -- 1 Marx's View on Capital -- 1.1 Marx's Concept of Capital -- Capital and Money -- Attributes of Capital -- Capital and Its Internal Contradictions -- 1.2 Marx's View on Literature and Art and Capital -- Capital Provides the Material Basis and Conditions for the Progress of Literature and Art -- The Hostility Between Capital and Literature and Art -- The Aesthetic Character of Artistic Production in the Capitalist Mode of Production -- 2 Capital and Contemporary Literary Activities -- 2.1 The Expansion of the Concept of Capital. Marx's Theory of Capital Is Not Obsolete. |
isbn |
9789819929474 9789819929467 |
callnumber-first |
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PN 280 299 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
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https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=30676975 |
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Not Illustrated |
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800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
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801 - Philosophy & theory |
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801.950951 |
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3801.950951 |
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801.950951 |
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801.950951 |
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1393224333 |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>13090nam a22004693i 4500</leader><controlfield tag="001">50030676975</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20240229073851.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">240229s2023 xx o ||||0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789819929474</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789819929467</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)50030676975</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL30676975</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1393224333</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN80-99</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">801.950951</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hu, Yamin.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Contemporary Construction of the Chinese Form of Marxist Literary Criticism.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Singapore :</subfield><subfield code="b">Palgrave Macmillan,</subfield><subfield code="c">2023.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (317 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- Acknowledgments -- Contents -- 1 Introduction -- 1 Rationale of the Existence of the Chinese Form -- 1.1 Existence of the Chinese Form? -- 1.2 Chinese Form of Marxist Literary Criticism Versus Sinification of Marxist Literary Criticism -- 2 The Path of Constructing the Chinese Form -- 2.1 Questioning Historical Descriptions and Generalizations -- 2.2 The Chinese Form and the Study of Differences -- The Chinese Form and Classical Marxist Literary Criticism -- The Chinese Form and Western Marxist Literary Criticism -- 3 The "Problématique" and Overall Characteristics of the Chinese Form -- 3.1 "Problématique" -- 3.2 The Overall Characteristics of the Chinese Form -- References -- 2 People: The Starting Point and the Destination of Literary Criticism -- 1 Classical Marxist View on People -- 1.1 Marx and Engels on the People -- Marx and Engels' Connotation of the People -- The Scale of the People in Marx and Engels' Literary Criticism -- 1.2 Lenin on the People -- Lenin's Connotation of the People -- Lenin on the Relationship Between Literature and the People -- 2 The Chinese Form's View on People -- 2.1 The Connotations of People -- The People as the Aggregation of Classes -- The People Are the Creators of History -- Adherence to the Centrality of the People -- 2.2 "People First" in Literary Criticism -- The Principle of "Literature and Art for the People" -- Adherence to the Direction of People-Centered Creation -- The People as Recipients of Literature and Art -- 3 The Improvement and Expansion of the Concept of People -- 3.1 A Reflection on the Relationship Between Literature and People -- Looking Down Upon the People as a Result of a Messianic Mentality -- Commodity Fetishism and People Cult -- 3.2 The Complexity of the Concept of People -- The Concreteness of the Concept of People -- The Non-homogeneity of the People.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3.3 The Interaction and Mutual Shaping of Literature and People -- "The People Need Art, and Art Needs the People Even More" -- Literature and "People to Come" -- References -- 3 Nation: A New Dimension of Literary Criticism in the Context of Globalization -- 1 The Discrimination of the Concept of Nation -- 1.1 Nation and Its Related Concepts -- The Concept of Nation -- Nation Versus Race and Ethnicity -- 1.2 Nation and the Chinese Nation 中华民族 -- The Proposal of a "Chinese Nation" -- The One and the Many of the Chinese Nation -- 2 Marx and Engels on Nation -- 2.1 Nation and Class -- Class Issues Dominate National Issues -- Complex Relationship Between Nation and Class -- 2.2 Nation and Internationalism -- Criticism of National Chauvinism -- Arguments on Colonization -- The Relationship Between Nations and Internationalism -- 3 National View in the Chinese Form -- 3.1 The Restoration of the Reputation of the Concept of Nation -- The Nation Is Not About Self-Seclusion -- The Nation Is Not About Going Back to the Good Old Days -- The Nation Does Not Imply the Collective's Suppression of Its Individual Members -- 3.2 New Interpretations of National View -- Nation Is a Historical Concept -- Nation and Culture -- Nation and the People -- 4 The Nature and Characteristics of the National Dimension -- 4.1 The Research Standpoint of the National Dimension -- Open Nationalism -- The Fundamental Connotation of Open Nationalism -- 4.2 The National Dimension and the National Spirit of Literature -- National Dimension and National Identity in Literature -- National Dimension and the National Characteristics of Literature -- National Dimension and the World -- References -- 4 The Political Dimension of Literary Criticism -- 1 Marx and Engels on Politics and Literature -- 1.1 Classical Marxist View on Politics -- Politics as a Component of the Superstructure.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Politics as Class Struggle -- Politics as Human Emancipation -- 1.2 Marx and Engels' Political Criticism -- Raising Doubts About the "Eternity" of the Bourgeoisie -- "The Courage of the True Artist" -- "Sings…of the Proud, Threatening, and Revolutionary Proletarian" -- "The Tendency Should Spring from the Situation and Action as Such" -- 2 Literature and Politics in the Chinese Form -- 2.1 Mao Zedong's View on Art and Politics -- Mao on Politics -- Mao on the Unity of Literature and Politics -- "Literature and Art for Politics" -- 2.2 Literature and Politics in the New Period -- Correction and Adherence to Politics -- The Proposal of "Literature and Art for the People and Socialism" -- 3 The Evolution of the Relationship Between Literature and Politics -- 3.1 Literature and "Re-politicization" -- Historical Overview of the Relationship Between Literature and Politics -- Politicization (Over-Politicization), Depoliticization to Repoliticization -- 3.2 The Contemporary Transformation of the Forms of Politics -- From Class Politics to People's Politics -- From Macro-politics to Micro-politics -- From Explicit Politics to Implicit Politics -- 3.3 The Tension Between Aesthetics and Politics -- Aesthetics as Politics -- Aesthetic Antinomy -- 4 A Perspective on the Political Dimension -- 4.1 The Research Objects of the Political Dimension -- Ideological Nature of Literature -- Scope of the Political Dimension -- 4.2 The Political Analysis of Literary Texts -- Politics in Narrative -- Desire and Politics -- References -- 5 The Praxis Dimension of Literary Criticism -- 1 Marx on Praxis -- 1.1 Marx's Concept of Praxis and Western Traditions -- Aristotle's View of Practice -- Kant on Practical Reason -- Sublation of Hegel and Feuerbach in Marx's Concept of Practice -- 1.2 The Connotations of Marx's View on Praxis -- Practice as an "Objective Activity".</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Practice as Material Production and Alienation -- 2 The Chinese Form's View on Praxis -- 2.1 The Nature of Praxis -- Material and Spiritual Activities of Human Beings -- The Initiative of the Subject -- Primacy of Practice -- 2.2 The View on Literature from the Dimension of Praxis -- Literature Arises from the Relationship of Objectification -- Critical Theories Under a Literary View of Practice Theory -- 3 The Dimension of Praxis and Literary Activities -- 3.1 Literary Criticism in the Process of Objectification -- The Dimension of Practice and the Subject of Literary Activity -- Practical Dimension and the Text as a Spiritual Product -- The Dimension of Practice and Ideal Way of Being -- 3.2 An Inquiry into Praxis -- Consciousness and Unconsciousness in Practical Activities -- Finiteness and Infinity of Practice -- References -- 6 Marxist Literary Criticism in the Hi-Tech Era -- 1 Marxist Literary Criticism and Science and Technology -- 1.1 Marx and Engels on Science and Technology -- Science and Technology and Society -- The Capitalist System and the Alienation of Science and Technology -- The Paradox of Science and Technology -- 1.2 Marx and Engels on the Relationship Between Science and Art -- The Influence of Science and Technology on Literature and Art -- Non-Synchronicity Between Science and Technology and Literature -- The Permanent Charm of Art -- 1.3 Western Marxism's View on Technology and Literature -- Technology and Alienation -- Ideological Nature of Science and Technology -- 2 Theoretical Reconstruction in the Hi-Tech Era -- 2.1 View of Science and Technology in the Chinese Form -- Science and Technology and the Dream of a Strong Nation -- Science and Technology as the First Productive Force -- Ideological Construction Function of Science and Technology -- 2.2 Modern Science and Technology and the "Survival" of Literature.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">The Challenge of Digital Technology to Literature -- Symbiotic Relationship of Literature and Science and Technology -- 2.3 The Inner Connection and Mutual Shaping of Literature and Technology -- The Inner Connection Between Literature and Science and Technology -- The Aestheticization of Technology and Technicization of Literature and Art -- 3 Literature Writing in the Hi-Tech Era -- 3.1 The Revolutionary Impacts of High Technology on Literature Writing -- Refreshing the Understanding of the World -- Creating Novel Aesthetic Experiences -- Stimulating Novel Literary Imagination -- Innovative Literary Styles and Structures -- 3.2 The "Thought" and "Poetry" of Literature Writing in the Hi-Tech Era -- Literature's Warning Against Science and Technology -- Poetic Dwelling in an Age of High Technology -- 4 The Study of Reading in the Internet Age -- 4.1 The Characteristics of Internet Reading -- Convenience of Reading -- Multidimensionality of Perception -- Immediacy and Interactivity of Criticism -- 4.2 The Symptoms of Internet Reading -- Labyrinth of Fragmentation -- Reading and Forgetting -- Weakening of Deep Thinking -- 4.3 The Reading Strategies of the Chinese Form -- Emphasis on Reader Autonomy -- The Call for Excellent Texts -- References -- 7 Literature and Capital in a Market Economy -- 1 Marx's View on Capital -- 1.1 Marx's Concept of Capital -- Capital and Money -- Attributes of Capital -- Capital and Its Internal Contradictions -- 1.2 Marx's View on Literature and Art and Capital -- Capital Provides the Material Basis and Conditions for the Progress of Literature and Art -- The Hostility Between Capital and Literature and Art -- The Aesthetic Character of Artistic Production in the Capitalist Mode of Production -- 2 Capital and Contemporary Literary Activities -- 2.1 The Expansion of the Concept of Capital.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Marx's Theory of Capital Is Not Obsolete.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="590" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. </subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Yan, Fang.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cheng, Xin.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Hu, Yamin</subfield><subfield code="t">The Contemporary Construction of the Chinese Form of Marxist Literary Criticism</subfield><subfield code="d">Singapore : Palgrave Macmillan,c2023</subfield><subfield code="z">9789819929467</subfield></datafield><datafield tag="797" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=30676975</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |