Roots in Reverse : : Senegalese Afro-Cuban Music and Tropical Cosmopolitanism.
A study of the impact of Cuban music on Senegalese music and modernity.
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| Superior document: | Music / Culture Series |
|---|---|
| : | |
| Place / Publishing House: | Middletown, CT. 06459 : : Wesleyan University Press,, 2018. Ã2018. |
| Year of Publication: | 2018 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Music / Culture Series
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| Online Access: | |
| Physical Description: | 1 online resource (257 pages) |
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Table of Contents:
- Cover
- Roots in Reverse
- Title
- Copyright
- Dedication
- CONTENTS
- Acknowledgments
- Note on Spelling of Senegalese Names
- INTRODUCTION Sound Track for a Black Atlantic
- ONE Kora(son): Africa and Afro-Cuban Music
- TWO Havana/Paris/Dakar: Itineraries of Afro-Cuban Music
- THREE Son and Sociality: Afro-Cuban Music, Gender, and Cultural Citizenship, 1950s-1960s
- FOUR From Sabor to Sabar: The Rise of Senegalese Afro-Cuban Orchestras, 1960s-1970s
- FIVE ReSONances Senegalaises: Authenticity, Cosmopolitanism, and the Rise of Salsa M'balax, 1980s-1990s
- SIX "Music Has No Borders": The Global Marketing of a Local Musical Tradition, 1990s-2006
- CONCLUSION Making Waves
- Notes
- Glossary
- List of Interviews
- Bibliography
- Discography
- Index
- Illustrations follow page
- ABOUT THE AUTHOR.