Here for the Hearing : : Analyzing the Music in Musical Theater.
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| Superior document: | Tracking Pop Series |
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| : | |
| TeilnehmendeR: | |
| Place / Publishing House: | Ann Arbor : : University of Michigan Press,, 2023. Ã2023. |
| Year of Publication: | 2023 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Tracking Pop Series
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| Online Access: | |
| Physical Description: | 1 online resource (311 pages) |
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Table of Contents:
- Intro
- Contents
- List of Examples
- List of Figures
- List of Tables
- Acknowledgments
- Introduction | Michael Buchler and Gregory J . Decker
- Part 1: Chapters That Engage Multiple Works
- Chapter 1. "Was It Ever Real?" Tonic Return via Stepwise Modulation in Broadway Songs | Nathan Beary Blustein
- Chapter 2. Sondheim's Dissonant Tonality | Drew Nobile
- Chapter 3. Topical Interpretive Strategies in American Musical Theater: Three Brief Case Studies | Gregory J. Decker
- Chapter 4. A Phenomenological Approach to Music Theater Rhyme | Richard Plotkin
- Chapter 5. The Changing Rhythms of Bridges and Ends | Rachel Short
- Part 2: Chapters That Engage a Single Work
- Chapter 6. Three Notions of Long-Range Form in Guys and Dolls | Michael Buchler
- Chapter 7. Style, Tonality, and Sexuality in The Rocky Horror Show | Nicole Biamonte
- Chapter 8. Music, Time, and Memory in Jason Robert Brown's The Last Five Years | Jonathan De Souza
- Chapter 9. Lesbian Desire in Fun Home | Rachel Lumsden
- Chapter 10. The Hip-Hop History of Hamilton | Robert Komaniecki
- Chapter 11. "Isn't It Queer?" The Kinsey Sicks and the Art of Broadway Parody | J. Daniel Jenkins
- Contributors
- Index.