American cinema and the southern imaginary / edited by Deborah E. Barker and Kathryn McKee.
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| Superior document: | New southern studies |
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| TeilnehmendeR: | |
| Year of Publication: | 2011 |
| Language: | English |
| Series: | New southern studies.
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| Online Access: | |
| Physical Description: | ix, 374 p. |
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Table of Contents:
- Introduction: the southern imaginary / Deborah E. Barker and Kathryn McKee
- Rereading the Hollywood South. The celluloid war before the birth: race and history in early American film / Robert Jackson
- Mammy's "mules" and the rules of marriage in Gone with the Wind / Riche Richardson
- Bodies and expectations: chain gang discipline / Leigh Anne Duck
- The postwar cinematic South: realism and the politics of liberal consensus / Chris Cagle
- A "professional southerner" in the Hollywood studio system: Lamar Trotti at work, 1934-1952 / Matthew H. Bernstei
- Viewing the civil rights South. Black passing and white pluralism: imitation of life in the civil rights struggle / Ryan DeRosa
- Remembering Birmingham Sunday: Spike Lee's 4 little girls / Valerie Smith
- Exploitation movies and the freedom struggle of the 1960s / Sharon Monteith
- Crossing borders. Mapping out a postsouthern cinema: three contemporary films / Jay Watson
- The native screen: American Indians in contemporary southern film / Melanie R. Benson
- The city that Deja vu forgot: memory, mapping, and the Americanization of New Orleans / Briallen Hopper
- Humid time: independent film, gay sexualities, and southernscapes / R. Bruce Brasell
- Papa Legba and the liminal spaces of the Blues: roots music in Deep South film / Christopher J. Smith
- Revamping the South: thoughts on labor, relationality, and southern representation / Tara McPherson.