Performance and culture in Plato's laws / edited by Anastasia-Erasmia Peponi.

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Bibliographic Details
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TeilnehmendeR:
Year of Publication:2013
Language:English
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Physical Description:xi, 460 p. :; ill., map.
Notes:"Conceived from the beginning as an attempt to elucidate this overlooked component, the volume benefited from a conference held at Stanford University in February, 2007."
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Table of Contents:
  • Introduction / Anastasia-Erasmia Peponi
  • PART ONE: GEOPOLITICS OF PERFORMANCE
  • Cretan harmonies and universal morals: Early music and migrations of wisdom in Plato's laws / Mark Griffith
  • STRICTLY BALLROOM: EGYPTIAN MOUSIKE AND PLATO'S COMPARATIVE POETICS / Ian Rutherford
  • PART TWO: CONCEPTUALISING CHORALITY:
  • Choral practices in Plato's laws: itineraries of initiation? / Claude Calame
  • THE CHORUS OF DIONYSUS: ALCOHOL AND OLD AGE IN THE LAWS / Oswyn Murray
  • IMAGINING CHORALITY: WONDER, PLATO'S PUPPETS AND MOVING STATUES / Leslie Kurke
  • BROKEN RHYTHMS IN PLATO'S LAWS: MATERIALISING SOCIAL TIME IN THE KHOROS / Barbara Kowalzig
  • CHORAL ANTI-AESTHETICS / Anastasia-Erasmia Peponi
  • PART THREE: RE-DEFINING GENRE: THE ORPHANED WORD: THE PHARMAKON OF FORGETFULNESS IN PLATO'S LAWS / Andrea Nightingale
  • PRAISE AND PERFORMANCE IN PLATO'S LAWS / Kathryn Morgan
  • PAIDES MALAKoN MOUSoN: TRAGEDY IN PLATO'S LAWS / Penelope Murray
  • THE RHETORIC OF RHAPSODY IN PLATO'S LAWS / Richard Martin
  • THE UNIDEAL GENRES OF THE IDEAL CITY: COMEDY, THRENODY, AND THE MAKING OF CITIZENS IN PLATO'S LAWS / Marcus Folch
  • PART FOUR: POETRY AND MUSIC IN THE AFTERLIFE OF THE LAWS: DEREGULATING POETRY: CALLIMACHUS' RESPONSE TO PLATO'S LAWS / Susan Stephens
  • THE LAWS AND ARISTOXENUS ON THE CRITERIA OF MUSICAL JUDGEMENT / Andrew Barker.