Redefining mainstream popular music / edited by Sarah Baker, Andy Bennett, and Jodie Taylor.
Saved in:
: | |
---|---|
TeilnehmendeR: | |
Year of Publication: | 2013 |
Language: | English |
Online Access: | |
Physical Description: | xiv, 222 p. :; ill. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
5001125271 |
---|---|
ctrlnum |
(MiAaPQ)5001125271 (Au-PeEL)EBL1125271 (CaPaEBR)ebr10659427 (CaONFJC)MIL445372 (OCoLC)828298552 |
collection |
bib_alma |
record_format |
marc |
spelling |
Redefining mainstream popular music [electronic resource] / edited by Sarah Baker, Andy Bennett, and Jodie Taylor. New York ; Abingdon [England] : Routledge, 2013. xiv, 222 p. : ill. Includes bibliographical references and index. Mainstream as metaphor : imagining dominant culture / Alison Huber -- Teenybop and the extraordinary particularities of mainstream practice / Sarah Baker -- Mainstream mythology : the industrial organization of The Archies / Matt Stahl -- Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music / Jodie Taylor -- The positioning of the mainstream in punk / Erik Hannerz -- Kill the static : temporality and change in the hip-hop mainstream (and its "other") / Murray Forman -- The contradictions of the mainstream : Australian views of grunge and commercial success / Catherine Strong -- Elvis goes Hollywood : authenticity, resistance, commodification and the mainstream / David Baker -- Walking in Memphis? : Elvis heritage between fan fantasy and built environment / Mark Duffett -- "Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music / Sheila Whiteley -- Music from abroad : the internationalization of the US mainstream music market, 1940-90 / Timothy J. Dowd -- "Sounds like an official mix" : the mainstream aesthetics of mash-up production / Adrian Renzo -- Chasing an aesthetic tail : latent technological imperialism in mainstream production / Dennis Crowdy -- The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia / Ian Rogers -- Off the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs / Michael Brown -- Musical listening at work : mainstream musical listening practices in the office / Michael Walsh -- Cheesy listening : popular music and ironic listening practices / Andy Bennett. Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Popular music History and criticism. Popular culture. Electronic books. Baker, Sarah, 1977- Bennett, Andy, 1963- Taylor, Jodie, 1980- ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1125271 Click to View |
language |
English |
format |
Electronic eBook |
author2 |
Baker, Sarah, 1977- Bennett, Andy, 1963- Taylor, Jodie, 1980- ProQuest (Firm) |
author_facet |
Baker, Sarah, 1977- Bennett, Andy, 1963- Taylor, Jodie, 1980- ProQuest (Firm) ProQuest (Firm) |
author2_variant |
s b sb a b ab j t jt |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_corporate |
ProQuest (Firm) |
author_sort |
Baker, Sarah, 1977- |
author_additional |
Alison Huber -- Sarah Baker -- Matt Stahl -- Jodie Taylor -- Erik Hannerz -- Murray Forman -- Catherine Strong -- David Baker -- Mark Duffett -- Sheila Whiteley -- Timothy J. Dowd -- Adrian Renzo -- Dennis Crowdy -- Ian Rogers -- Michael Brown -- Michael Walsh -- Andy Bennett. |
title |
Redefining mainstream popular music |
spellingShingle |
Redefining mainstream popular music Mainstream as metaphor : imagining dominant culture / Teenybop and the extraordinary particularities of mainstream practice / Mainstream mythology : the industrial organization of The Archies / Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music / The positioning of the mainstream in punk / Kill the static : temporality and change in the hip-hop mainstream (and its "other") / The contradictions of the mainstream : Australian views of grunge and commercial success / Elvis goes Hollywood : authenticity, resistance, commodification and the mainstream / Walking in Memphis? : Elvis heritage between fan fantasy and built environment / "Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music / Music from abroad : the internationalization of the US mainstream music market, 1940-90 / "Sounds like an official mix" : the mainstream aesthetics of mash-up production / Chasing an aesthetic tail : latent technological imperialism in mainstream production / The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia / Off the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs / Musical listening at work : mainstream musical listening practices in the office / Cheesy listening : popular music and ironic listening practices / |
title_full |
Redefining mainstream popular music [electronic resource] / edited by Sarah Baker, Andy Bennett, and Jodie Taylor. |
title_fullStr |
Redefining mainstream popular music [electronic resource] / edited by Sarah Baker, Andy Bennett, and Jodie Taylor. |
title_full_unstemmed |
Redefining mainstream popular music [electronic resource] / edited by Sarah Baker, Andy Bennett, and Jodie Taylor. |
title_auth |
Redefining mainstream popular music |
title_alt |
Mainstream as metaphor : imagining dominant culture / Teenybop and the extraordinary particularities of mainstream practice / Mainstream mythology : the industrial organization of The Archies / Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music / The positioning of the mainstream in punk / Kill the static : temporality and change in the hip-hop mainstream (and its "other") / The contradictions of the mainstream : Australian views of grunge and commercial success / Elvis goes Hollywood : authenticity, resistance, commodification and the mainstream / Walking in Memphis? : Elvis heritage between fan fantasy and built environment / "Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music / Music from abroad : the internationalization of the US mainstream music market, 1940-90 / "Sounds like an official mix" : the mainstream aesthetics of mash-up production / Chasing an aesthetic tail : latent technological imperialism in mainstream production / The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia / Off the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs / Musical listening at work : mainstream musical listening practices in the office / Cheesy listening : popular music and ironic listening practices / |
title_new |
Redefining mainstream popular music |
title_sort |
redefining mainstream popular music |
publisher |
Routledge, |
publishDate |
2013 |
physical |
xiv, 222 p. : ill. |
contents |
Mainstream as metaphor : imagining dominant culture / Teenybop and the extraordinary particularities of mainstream practice / Mainstream mythology : the industrial organization of The Archies / Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music / The positioning of the mainstream in punk / Kill the static : temporality and change in the hip-hop mainstream (and its "other") / The contradictions of the mainstream : Australian views of grunge and commercial success / Elvis goes Hollywood : authenticity, resistance, commodification and the mainstream / Walking in Memphis? : Elvis heritage between fan fantasy and built environment / "Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music / Music from abroad : the internationalization of the US mainstream music market, 1940-90 / "Sounds like an official mix" : the mainstream aesthetics of mash-up production / Chasing an aesthetic tail : latent technological imperialism in mainstream production / The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia / Off the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs / Musical listening at work : mainstream musical listening practices in the office / Cheesy listening : popular music and ironic listening practices / |
isbn |
9780203127858 (electronic bk.) |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3470 |
callnumber-sort |
ML 43470 R425 42013 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1125271 |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
781 - General principles & musical forms |
dewey-full |
781.6409 |
dewey-sort |
3781.6409 |
dewey-raw |
781.6409 |
dewey-search |
781.6409 |
oclc_num |
828298552 |
work_keys_str_mv |
AT bakersarah redefiningmainstreampopularmusic AT bennettandy redefiningmainstreampopularmusic AT taylorjodie redefiningmainstreampopularmusic AT proquestfirm redefiningmainstreampopularmusic |
status_str |
n |
ids_txt_mv |
(MiAaPQ)5001125271 (Au-PeEL)EBL1125271 (CaPaEBR)ebr10659427 (CaONFJC)MIL445372 (OCoLC)828298552 |
is_hierarchy_title |
Redefining mainstream popular music |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1792330745630425089 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03249nam a2200409 a 4500</leader><controlfield tag="001">5001125271</controlfield><controlfield tag="003">MiAaPQ</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">120705s2013 nyua sb 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2012027433</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780415807807 (hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780415807821 (paperback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780203127858 (electronic bk.)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)5001125271</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL1125271</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10659427</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL445372</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)828298552</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3470</subfield><subfield code="b">.R425 2013</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">781.6409</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Redefining mainstream popular music</subfield><subfield code="h">[electronic resource] /</subfield><subfield code="c">edited by Sarah Baker, Andy Bennett, and Jodie Taylor.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">New York ;</subfield><subfield code="a">Abingdon [England] :</subfield><subfield code="b">Routledge,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiv, 222 p. :</subfield><subfield code="b">ill.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Mainstream as metaphor : imagining dominant culture /</subfield><subfield code="r">Alison Huber --</subfield><subfield code="t">Teenybop and the extraordinary particularities of mainstream practice /</subfield><subfield code="r">Sarah Baker --</subfield><subfield code="t">Mainstream mythology : the industrial organization of The Archies /</subfield><subfield code="r">Matt Stahl --</subfield><subfield code="t">Lesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music /</subfield><subfield code="r">Jodie Taylor --</subfield><subfield code="t">The positioning of the mainstream in punk /</subfield><subfield code="r">Erik Hannerz --</subfield><subfield code="t">Kill the static : temporality and change in the hip-hop mainstream (and its "other") /</subfield><subfield code="r">Murray Forman --</subfield><subfield code="t">The contradictions of the mainstream : Australian views of grunge and commercial success /</subfield><subfield code="r">Catherine Strong --</subfield><subfield code="t">Elvis goes Hollywood : authenticity, resistance, commodification and the mainstream /</subfield><subfield code="r">David Baker --</subfield><subfield code="t">Walking in Memphis? : Elvis heritage between fan fantasy and built environment /</subfield><subfield code="r">Mark Duffett --</subfield><subfield code="t">"Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music /</subfield><subfield code="r">Sheila Whiteley --</subfield><subfield code="t">Music from abroad : the internationalization of the US mainstream music market, 1940-90 /</subfield><subfield code="r">Timothy J. Dowd --</subfield><subfield code="t">"Sounds like an official mix" : the mainstream aesthetics of mash-up production /</subfield><subfield code="r">Adrian Renzo --</subfield><subfield code="t">Chasing an aesthetic tail : latent technological imperialism in mainstream production /</subfield><subfield code="r">Dennis Crowdy --</subfield><subfield code="t">The hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia /</subfield><subfield code="r">Ian Rogers --</subfield><subfield code="t">Off the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs /</subfield><subfield code="r">Michael Brown --</subfield><subfield code="t">Musical listening at work : mainstream musical listening practices in the office /</subfield><subfield code="r">Michael Walsh --</subfield><subfield code="t">Cheesy listening : popular music and ironic listening practices /</subfield><subfield code="r">Andy Bennett.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular music</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular culture.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic books.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Baker, Sarah,</subfield><subfield code="d">1977-</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bennett, Andy,</subfield><subfield code="d">1963-</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Taylor, Jodie,</subfield><subfield code="d">1980-</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">ProQuest (Firm)</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1125271</subfield><subfield code="z">Click to View</subfield></datafield></record></collection> |