Comedy and the public sphere : the rebirth of theatre as comedy and the genealogy of the modern public arena / / Arpad Szakolczai.

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Bibliographic Details
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TeilnehmendeR:
Year of Publication:2013
Language:English
Series:Routledge studies in social and political thought ; 77
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Physical Description:xvii, 357 p.
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Table of Contents:
  • Introduction
  • The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance
  • Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage
  • Ridiculing as public weapon
  • The rebirth of theatre as comedy out of the spirit of the Byzantium
  • The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit
  • The rise of theatre in Venice
  • The effect mechanism of Commedia dell'Arte: visions and realities of commedification
  • Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types
  • Shakespeare: the tragedy of world history being a comedy
  • Representing representation: visionary images of Commedia dell'Arte
  • The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim
  • Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary
  • Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold
  • Conclusion.