Aesthetic modernism and masculinity in fascist Italy / John Champagne.

"Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light...

Full description

Saved in:
Bibliographic Details
:
TeilnehmendeR:
Year of Publication:2013
Language:English
Series:Popular culture and world politics
Online Access:
Physical Description:viii, 221 p. :; ill.
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 03045nam a2200421 a 4500
001 5001047038
003 MiAaPQ
005 20200520144314.0
006 m o d |
007 cr cn|||||||||
008 120227s2013 enka sb 001 0 eng d
010 |z  2012006767 
020 |z 9780415528627 (hardback) 
020 |a 9780203101964 (electronic bk.) 
035 |a (MiAaPQ)5001047038 
035 |a (Au-PeEL)EBL1047038 
035 |a (CaPaEBR)ebr10617659 
035 |a (CaONFJC)MIL402280 
035 |a (OCoLC)817889718 
040 |a MiAaPQ  |c MiAaPQ  |d MiAaPQ 
043 |a e-it--- 
050 4 |a NX180.F3  |b C44 2013 
082 0 4 |a 700.4/52110945  |2 23 
100 1 |a Champagne, John. 
245 1 0 |a Aesthetic modernism and masculinity in fascist Italy  |h [electronic resource] /  |c John Champagne. 
260 |a London ;  |a New York :  |b Routledge,  |c 2013. 
300 |a viii, 221 p. :  |b ill. 
490 0 |a Popular culture and world politics 
504 |a Includes bibliographical references (p. 198-212) and index. 
520 |a "Aesthetic Modernism and Masculinity in Fascist Italy is an interdisciplinary historical re-reading of a series of representative texts that complicate our current understanding of the portrayal of masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of the ideological and material contradictions that animated the regime, it argues that fascist masculinity was itself highly contradictory. It brings to the fore works that have tended to be under-studied, and argues that, while fascist inclusive strategies of patronage worked to bind artists to the regime, an official policy of non-interference may inadvertently have opened up a space whereby the arts expressed a more complicated and contestatory view of masculinity than the one proffered by kitsch photos of a bare-chested Mussolini skiing. Champagne seeks to evaluate how the aesthetic analysis of the artifacts explored offer a more sophisticated and nuanced understanding of what world politics is, what is at stake when something like 'masculinity' is rendered as being an element of world politics, and how such an understanding differs from more orthodox 'cultural' analyses common to international relations.Providing a significant contribution to understandings of representations of masculinities in modernist art, this work will be of great interest to students and scholars of gender studies, queer studies, political science, Italian studies and art history. "--  |c Provided by publisher. 
533 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
650 0 |a Fascism and art  |z Italy  |x History  |y 20th century. 
650 0 |a Masculinity in art. 
650 0 |a Modernism (Aesthetics)  |z Italy. 
650 0 |a Arts, Italian  |y 20th century. 
655 4 |a Electronic books. 
710 2 |a ProQuest (Firm) 
856 4 0 |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=1047038  |z Click to View