Theory Rules : : Art as Theory / Theory as Art / / ed. by Jody Berland, Will Straw, David Tomas.
In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisci...
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©1996 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Heritage
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| Online Access: | |
| Physical Description: | 1 online resource (322 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Introduction: The Art as Theory / Theory and Art Conference
- Part 1: Context
- Bewitched, Bothered, And Bewildered
- Back to the Future: The Sequel
- Theorizing Culturalism: From Cultural Policies to Identity Politics and Back
- In Defence of the Realm: Public Controversy and the Apologetics of Art
- What Counts as Culture
- The Writing on the Wall
- Part 2: Identities
- Bodies of Theory, Bodies of Pain: Some Silences
- Imitating Authorities: Theory, Gender, and Photographic Discourse
- The Exclusions of Theory: Feminist Ambivalence in Art Practice and Criticism
- Part 3: Visions
- An Identity in Crisis: The Artist and New Technologies
- Spectatorship in Cyberspace: The Global Embrace
- The Sublime: The Limits of Vision and the Inflation of Commentary
- Introduction, Dissemination, and Education: Michel Foucault, “Integrated Intellectuals” and Writing on the Visual Arts in English Canada
- Synthetic Magic/Virtual Reality
- Art and Theory: The Politics of the Invisible
- Appendix: Statement of Concerns Sent to Presenters
- Notes on Contributors