Theory Rules : : Art as Theory / Theory as Art / / ed. by Jody Berland, Will Straw, David Tomas.
In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisci...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©1996 |
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Theory Rules : Art as Theory / Theory as Art / ed. by Jody Berland, Will Straw, David Tomas. Toronto : University of Toronto Press, [2016] ©1996 1 online resource (322 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Heritage Frontmatter -- Contents -- Introduction: The Art as Theory / Theory and Art Conference -- Part 1: Context -- Bewitched, Bothered, And Bewildered -- Back to the Future: The Sequel -- Theorizing Culturalism: From Cultural Policies to Identity Politics and Back -- In Defence of the Realm: Public Controversy and the Apologetics of Art -- What Counts as Culture -- The Writing on the Wall -- Part 2: Identities -- Bodies of Theory, Bodies of Pain: Some Silences -- Imitating Authorities: Theory, Gender, and Photographic Discourse -- The Exclusions of Theory: Feminist Ambivalence in Art Practice and Criticism -- Part 3: Visions -- An Identity in Crisis: The Artist and New Technologies -- Spectatorship in Cyberspace: The Global Embrace -- The Sublime: The Limits of Vision and the Inflation of Commentary -- Introduction, Dissemination, and Education: Michel Foucault, “Integrated Intellectuals” and Writing on the Visual Arts in English Canada -- Synthetic Magic/Virtual Reality -- Art and Theory: The Politics of the Invisible -- Appendix: Statement of Concerns Sent to Presenters -- Notes on Contributors restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.The sixteen essays in this collection were originally presented at an international conference entitled `Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Art criticism Congresses. Arts Philosophy Congresses. ART / Criticism. bisacsh Bennett, Tony, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Berland, Jody, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Berland, Jody, editor. edt http://id.loc.gov/vocabulary/relators/edt Clark, Tim, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dagenais, Francine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dominguez, Virginia R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dowler, Kevin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Duve, Thierry de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Harlow, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hassan, Jamelie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marchessault, Janine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Seaton, Elizabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Straw, Will, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Straw, Will, editor. edt http://id.loc.gov/vocabulary/relators/edt Tomas, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tomas, David, editor. edt http://id.loc.gov/vocabulary/relators/edt Wolff, Janet, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 9783110490947 https://doi.org/10.3138/9781442664647 https://www.degruyter.com/isbn/9781442664647 Cover https://www.degruyter.com/cover/covers/9781442664647.jpg |
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English |
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author2 |
Bennett, Tony, Bennett, Tony, Berland, Jody, Berland, Jody, Berland, Jody, Berland, Jody, Clark, Tim, Clark, Tim, Dagenais, Francine, Dagenais, Francine, Dominguez, Virginia R., Dominguez, Virginia R., Dowler, Kevin, Dowler, Kevin, Duve, Thierry de, Duve, Thierry de, Harlow, Barbara, Harlow, Barbara, Hassan, Jamelie, Hassan, Jamelie, Marchessault, Janine, Marchessault, Janine, Seaton, Elizabeth, Seaton, Elizabeth, Straw, Will, Straw, Will, Straw, Will, Straw, Will, Tomas, David, Tomas, David, Tomas, David, Tomas, David, Wolff, Janet, Wolff, Janet, |
author_facet |
Bennett, Tony, Bennett, Tony, Berland, Jody, Berland, Jody, Berland, Jody, Berland, Jody, Clark, Tim, Clark, Tim, Dagenais, Francine, Dagenais, Francine, Dominguez, Virginia R., Dominguez, Virginia R., Dowler, Kevin, Dowler, Kevin, Duve, Thierry de, Duve, Thierry de, Harlow, Barbara, Harlow, Barbara, Hassan, Jamelie, Hassan, Jamelie, Marchessault, Janine, Marchessault, Janine, Seaton, Elizabeth, Seaton, Elizabeth, Straw, Will, Straw, Will, Straw, Will, Straw, Will, Tomas, David, Tomas, David, Tomas, David, Tomas, David, Wolff, Janet, Wolff, Janet, |
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author_sort |
Bennett, Tony, |
title |
Theory Rules : Art as Theory / Theory as Art / |
spellingShingle |
Theory Rules : Art as Theory / Theory as Art / Heritage Frontmatter -- Contents -- Introduction: The Art as Theory / Theory and Art Conference -- Part 1: Context -- Bewitched, Bothered, And Bewildered -- Back to the Future: The Sequel -- Theorizing Culturalism: From Cultural Policies to Identity Politics and Back -- In Defence of the Realm: Public Controversy and the Apologetics of Art -- What Counts as Culture -- The Writing on the Wall -- Part 2: Identities -- Bodies of Theory, Bodies of Pain: Some Silences -- Imitating Authorities: Theory, Gender, and Photographic Discourse -- The Exclusions of Theory: Feminist Ambivalence in Art Practice and Criticism -- Part 3: Visions -- An Identity in Crisis: The Artist and New Technologies -- Spectatorship in Cyberspace: The Global Embrace -- The Sublime: The Limits of Vision and the Inflation of Commentary -- Introduction, Dissemination, and Education: Michel Foucault, “Integrated Intellectuals” and Writing on the Visual Arts in English Canada -- Synthetic Magic/Virtual Reality -- Art and Theory: The Politics of the Invisible -- Appendix: Statement of Concerns Sent to Presenters -- Notes on Contributors |
title_sub |
Art as Theory / Theory as Art / |
title_full |
Theory Rules : Art as Theory / Theory as Art / ed. by Jody Berland, Will Straw, David Tomas. |
title_fullStr |
Theory Rules : Art as Theory / Theory as Art / ed. by Jody Berland, Will Straw, David Tomas. |
title_full_unstemmed |
Theory Rules : Art as Theory / Theory as Art / ed. by Jody Berland, Will Straw, David Tomas. |
title_auth |
Theory Rules : Art as Theory / Theory as Art / |
title_alt |
Frontmatter -- Contents -- Introduction: The Art as Theory / Theory and Art Conference -- Part 1: Context -- Bewitched, Bothered, And Bewildered -- Back to the Future: The Sequel -- Theorizing Culturalism: From Cultural Policies to Identity Politics and Back -- In Defence of the Realm: Public Controversy and the Apologetics of Art -- What Counts as Culture -- The Writing on the Wall -- Part 2: Identities -- Bodies of Theory, Bodies of Pain: Some Silences -- Imitating Authorities: Theory, Gender, and Photographic Discourse -- The Exclusions of Theory: Feminist Ambivalence in Art Practice and Criticism -- Part 3: Visions -- An Identity in Crisis: The Artist and New Technologies -- Spectatorship in Cyberspace: The Global Embrace -- The Sublime: The Limits of Vision and the Inflation of Commentary -- Introduction, Dissemination, and Education: Michel Foucault, “Integrated Intellectuals” and Writing on the Visual Arts in English Canada -- Synthetic Magic/Virtual Reality -- Art and Theory: The Politics of the Invisible -- Appendix: Statement of Concerns Sent to Presenters -- Notes on Contributors |
title_new |
Theory Rules : |
title_sort |
theory rules : art as theory / theory as art / |
series |
Heritage |
series2 |
Heritage |
publisher |
University of Toronto Press, |
publishDate |
2016 |
physical |
1 online resource (322 p.) |
contents |
Frontmatter -- Contents -- Introduction: The Art as Theory / Theory and Art Conference -- Part 1: Context -- Bewitched, Bothered, And Bewildered -- Back to the Future: The Sequel -- Theorizing Culturalism: From Cultural Policies to Identity Politics and Back -- In Defence of the Realm: Public Controversy and the Apologetics of Art -- What Counts as Culture -- The Writing on the Wall -- Part 2: Identities -- Bodies of Theory, Bodies of Pain: Some Silences -- Imitating Authorities: Theory, Gender, and Photographic Discourse -- The Exclusions of Theory: Feminist Ambivalence in Art Practice and Criticism -- Part 3: Visions -- An Identity in Crisis: The Artist and New Technologies -- Spectatorship in Cyberspace: The Global Embrace -- The Sublime: The Limits of Vision and the Inflation of Commentary -- Introduction, Dissemination, and Education: Michel Foucault, “Integrated Intellectuals” and Writing on the Visual Arts in English Canada -- Synthetic Magic/Virtual Reality -- Art and Theory: The Politics of the Invisible -- Appendix: Statement of Concerns Sent to Presenters -- Notes on Contributors |
isbn |
9781442664647 9783110490947 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BH - Aesthetics |
callnumber-label |
BH39 |
callnumber-sort |
BH 239 |
genre_facet |
Congresses. |
url |
https://doi.org/10.3138/9781442664647 https://www.degruyter.com/isbn/9781442664647 https://www.degruyter.com/cover/covers/9781442664647.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700/.1 |
dewey-sort |
3700 11 |
dewey-raw |
700/.1 |
dewey-search |
700/.1 |
doi_str_mv |
10.3138/9781442664647 |
oclc_num |
944178616 |
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ids_txt_mv |
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carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
is_hierarchy_title |
Theory Rules : Art as Theory / Theory as Art / |
container_title |
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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