Dr.
Meike Wilfing-Albrecht
BA BA MA
Telephone
(+43 1) 51581 – 3705
… studied musicology and Romance studies in Osnabrück and Vienna and attained her doctorate in 2022 ("Das barocke Festspiel als modernes Geamtkunstwerk. Die Opernästhetik von Egon Wellesz"). She has been part of multiple research projects, for example Eduard Hanslick’s 'Vom Musikalisch-Schönen': Dynamic Features of the Text and Its Contexts (Austrian Academy of Sciences, 2018–2021), funded by the Austrian Science Fund FWF, or Telling Sounds at the University of Music and Performing Arts, Vienna (2021). Since 2017, she has been working for the Complete Edition of the Writings of Arnold Schönberg.
At the ACDH-CH, Meike Wilfing-Albrecht is part of the research unit Musicology. She previously worked for the projects Oesterreichisches Musiklexikon Online (OeML) as well as DEMOS, and became staff scientist and project lead at the Wiener Arbeitsstelle der Johannes Brahms Gesamtausgabe in September 2022. Her research interests include music history of the 19th and 20th Centuries (especially Viennese Modernism), history of science, and musical criticism.
Publications
- Albrecht, Meike. 2014. A-Wn 2856 (‚Mondsee-Wiener Liederhandschrift’). Andrea Lindmayr-Brandl. Andrea Rifkin Lindmayr-Brandl Joshua Schmierer. Schrift und Klang in der Musik der Renaissance. Handbuch Der Musik Der Renaissance Bd. 4. Laaber: Laaber: 177-180.
- Albrecht, Meike. 2014. Bologna, Civico Museo Bibliografico Musicale, Ms. Q15. Andrea Lindmayr-Brandl. Andrea Rifkin Lindmayr-Brandl Joshua Schmierer. Schrift und Klang in der Musik der Renaissance. Handbuch Der Musik Der Renaissance Bd. 4. Laaber: Laaber: 160-163.
- Albrecht, Meike. 2014. Le dotte, et eccellente composizioni de i Madrigali a cinque voci, Girolamo Scotto: Venedig, 1540. Andrea Lindmayr-Brandl. Andrea Rifkin Lindmayr-Brandl Joshua Schmierer. Schrift und Klang in der Musik der Renaissance. Handbuch Der Musik Der Renaissance Bd. 4. Laaber: Laaber: 279-281.
- Albrecht, Meike. 2014. Intavolatura de li Madrigali di Verdelotto da cantare et sonare nel lauto, intavolati per Messer Adriano [Willaert], Venedig: Ottaviano Scotto, 1536. Andrea Lindmayr-Brandl. Andrea Rifkin Lindmayr-Brandl Joshua Schmierer. Schrift und Klang in der Musik der Renaissance. Handbuch Der Musik Der Renaissance Bd. 4. Laaber: Laaber: 267-269.
- Albrecht, Meike. 2014. Cantiones, quae ab argumento sacrae vocantur, quinque et sex partium, autoribus Thomas Tallisio et Guilielmo Birdo angles, London: Thomas Vautrollier, 1575 (‘Cantiones Sacrae’). Andrea Lindmayr-Brandl. Andrea Rifkin Lindmayr-Brandl Joshua Schmierer. Schrift und Klang in der Musik der Renaissance. Handbuch Der Musik Der Renaissance Bd. 4. Laaber: Laaber: 303-306.
- Wilfing-Albrecht, Meike. 2014. Musik für Film und bewegte Bilder. Symposion Wien Modern. Österreichische Musikzeitschrift. doi:10.7767/omz-2014-0619.